MARINA ABRAMOVIĆ: House With Ocean View was for me an experiment. When I came to New York, it was just after September 11, and I found New York so much changed. I found New York and people living here ...

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GLENN LOWRY: By the 1970s, performance art had achieved a level of notoriety and even acceptance. However, because many artists used their bodies aggressively in their performances, it was often ...

The notion of artificial intelligence may seem distant and abstract, but AI is already pervasive in our daily lives. Anatomy of an AI System analyzes the vast networks that underpin the “birth, life, ...

The Thomas Walther Collection—341 photographs by 148 artists—represents the innovative vision of the 1920s and ’30s, a transformative period of modern photography and the foundation of our photo-based ...

Narrator: Edward James, a British poet and patron of Surrealism, commissioned Magritte to make this portrait in 1937, titled Not to be Reproduced. Curator, Art Institute of Chicago, Stephanie ...

Assistant Jerry Gorovoy: I'm Jerry Gorvoy, and I was Louise’s longtime assistant and now head of her foundation. Louise made many variants of Spider, but there is only one unique_ Spider/Cell,_ and it ...

Paola Antonelli joined The Museum of Modern Art in 1994 and is the Museum’s Senior Curator in the Department of Architecture and Design, as well as MoMA’s founding Director of Research and Development ...

Jerry Gorovoy: I’m Jerry Gorovoy. This hanging bronze figure is called the Arch of Hysteria. Louise had actually been in psychoanalysis from 1951 all the way up until the 1980s. At the beginning of ...

MARINA ABRAMOVIĆ: In The Artist is Present, I perform every day for three months. The performance is really about presence. You have to be in the here and now, 100 percent. GLENN LOWRY: Marina ...

MARINA ABRAMOVIĆ: When the war start in Bosnia, it was so difficult time for me. I was not there. I was living since long time outside of the country. And I remember so many artists immediately react ...