Suspended, collapsed, stacked, wrapped or folded, the works of Phyllida Barlow spring from an interrogation of some of the most fundamental aspects of sculpture: its physical attributes and its ...
This is one of four reports produced by researchers in the project Reshaping the Collectible: When Artworks Live in the Museum. Each offers a perspective from one of four practices that are changing ...
This paper examines the notion of the contemporary technological sublime, and asks what sublime affect means in the context of contemporary digital technologies such as video games. It argues that the ...
The work of Emila Medková (1928–1985) is a remarkable example of surrealist documentary photography. A central member of the post-war Czech surrealist group, her images focus on the 'concrete ...
Research on British landscape art has been a recurrent theme in the century-long history of Tate Britain and its forerunner, the Tate Gallery. Tate’s collection includes many thousands of paintings ...
This proposal has developed out of discussions that took place at Tate regarding how to identify, collect and care for artworks that generate archival material. It emerged from a case study undertaken ...
This article summarises the key concerns of Pseudo-Longinus’s On the Sublime, and considers their interest for one of the most influential translators of the treatise, Nicolas Boileau (1636–1711).
Developed in relation to works by Tacita Dean and William Kentridge, this article explores the way in which the arrival of digital technology has impacted upon our conception of drawing, suggesting ...
At Tate St Ives, a ceramic sculpture by Lynda Benglis is now on display in a room exploring connections between spiritual ...
This paper details how diffractive analysis, a practice-based research methodology combining methods from art practice, art history and cultural studies, can be used to understand the role of bodily ...
Tate Liverpool is temporarily located at RIBA North, Mann Island, a short distance (425m) along Liverpool’s iconic waterfront ...
Edmund Burke’s Philosophical Enquiry (1757) connected the sublime with experiences of awe, terror and danger. Burke saw nature as the most sublime object, capable ...